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Kanya Pujan, constructing gender binaries.

KANYA PUJAN 
We exist in a predominantly patriarchal society with predetermined social and cultural norms. Our traditions take us way back in time where gender roles are clearly defined and imposed.
Considering this, how are gender roles performed and expressed? Problematic power equations are inherent and inescapable in such scenarios. 
^Harijan Marwada women in Kutch, Gujarat.
How does biology influence identity? Conflict persists to exist, as societies struggle to understand the biology of gender. Today biology itself urges us to look beyond the simple binary of male and female, rather consider gender to be fluid- spanning over a spectrum. 
Top Right: Little women on the streets of Kokata, West Bengal.|Top Left: Little women photographed in Aina Mahal, Bhuj, Gujarat.|
Center Bottom: Family residing in a Shiv Mandir in Bangalore, Karnataka.
It is in the home that identities begin to take shape from a young age. Social institutions of family and religion, determine and justify the lives of many. The domestic space can be a complex mix of valuable nurturing, support and encouragement and/or oppression and debilitating experiences. 
Woman performing dhunuchi naach, on the Navami- the 9th day of Durga Puja, in Kolkata, West Bengal.
The roles that we take on from adolescence to adulthood, roles that reflect our identity- are they by virtue of our biology or a result of centuries of social conditioning?


*Photographs taken by me as part of exploration. 
Kanya Pujan: A Flash Fiction
I glanced at my watch, the same way that my father would his. In an attempt to flaunt my ability to read time, I squealed- “It’s ten forty five, lets begin!”.


We assembled around the elevator, everything looked new and stank of fresh paint. In the spirit of Durga Puja the stained walls had been covered by a new coat of paint, old light bulbs replaced with bright new ones. The door of the elevator too had been oiled making it easier for me to open; most importantly the revolting creak was gone.


“Where’s Preeti?”, everyone responded with a shrug.


We progressed with our routinely check - bags for all the goodies and clothes, loose sandals and clean toes for those washing our feet- mostly to save ourselves the embarrassment.


Navami or the 9th day of Durga Puja was the most exciting one. My friends and I would finally get a chance to spend the entire after-noon together. Away from school and our daily chores, to receive gifts, devour delicious food and finally wrap our day as devis with jalebis- crunchy yellow spirals of perfection, at the Singh’s. We would rate the food of every household, as though judges on a reality show and whisper them to each other.
I knew what came next. The frail old man operating the elevator, whom we all affectionately called “Baba”, asked us the question we had all been anticipating.


“Which devis are my little devis this year?” he produced a giggle. His crinkled eyes hidden underneath the wrinkles. A running joke that initiated the tradition.

                   
My options were Parvati, Lakshmi, Saraswati, Annapurna, Durga and Kali. I quickly screamed Kali- the Punisher, leaving the option unavailable for the others. After minutes of bickering, all of them were taken, leaving Annapurna- the provider of food.


“Preeti will have to be Annapurna, her punishment for being late.” I said in a crabby tone, taking my role as Kali seriously. It was almost 11:30 and my stomach had begun to churn producing noises audible enough for our old Baba.
This was the first time that Preeti was late, rather the first time any of us had been. I sensed something was wrong when I telephoned her earlier that day. Her mother answered and insisted that she won’t be joining us this afternoon or any other Navami here on and then abruptly ended the call. Preeti had been behaving strangely in the past few days. She was 4 years older than me- the same age as my brother, although that had never come in the way of our friendship. In fact, it was why we became best friends, because she never made me feel small unlike bhaiya and his friends. What was she hiding?


With a tight schedule to follow and starving tummies, we decided to begin without Preeti. The truth was that none of the girls wanted to visit her house, afraid that their parents might find out. She lived on the ground floor near the parking lot, in a 2-bedroom apartment with her parents and three brothers. My parents were always hesitant when I asked them for permission to visit hers for play dates- as a result she would often visit mine, our playdates involving things that we couldn’t at hers- flaunt our inner artists on MS Paint.
Upset that I hadn’t heard from her, I began to worry and refused to begin without her. Instead, I trudged in the direction of her house to check with her one last time. I told the others to cover for the delay on my behalf. I heard the elevator close and one of them say- “4th floor Baba Ji.”


I balanced my weight at the tip of my toes and kept the doorbell pressed until someone answered.


Her 16 year old brother, Chotu, opened the door and attempted to shut it once he saw me. I never liked him or the way he would tease me- besides Preeti would perpetually complain about the bully in him. I pushed my way in while he grinned at me, chewing his lunch like a cow. I saw his hands reach out for my cheek but before his fingers touched me I smacked them away and asked him about Preeti.
To my relief I noticed that no adults were present. She lay on a mattress in a corner of their room, crouched in a fetus like position- a hot water bag leaking beside her. And in that moment, I felt my anger dissolve. She seemed to be in excruciating pain as she clutched her tummy. Her back faced towards me and I realized that she hadn’t even noticed me come in. I could hear Chotu follow me inside the room and whisper into my ear-


“She’s grown up now and doesn’t want to participate in your childish games. Besides Maa says she's not even a kanya anymore, how can she pretend to be a devi?”

*The following piece of fiction was written by me- the second step towards ideating a story for a screenplay.
Concept
Kanya is a girl child- the symbol of pure creative force. The moment that the great feminine potential is at its peak. Only the; purest, most innocent, prepubescent, virgin non-dalit girl child, will have the privilege to be a Devi. Be worshipped by adults eat the food of festivities and receive gifts.

On the 8th and 9th day of Navratri, we worship the Kanya’s as representations of goddess Durga through the ritual of Kanya Puja

But what is believed to happen when the girl child obtains puberty and steps in to womanhood? 
*The following film was a part of a larger assignment with restrictions on time, production and other specifications such as; only 8 to 10 shots, no dialogue & no music. 
Kanya Pujan, constructing gender binaries.
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Kanya Pujan, constructing gender binaries.

The following is an assignment that explores the social construct of gender binaries, looking at a specific Hindu ritual.

Published: